Final outcome
As
the autumn leaves turn vivid shades of orange as well as earthy shades of brown
I decided to take advantage of this and use these natural products as a frame
for my outcome, to encircle and reflect the old technology it will become part
of. the technology in question would be the use of clocks as this technology is
some of the oldest around despite advancing greatly clocks in many cases still
rely on a series of cogs and other unseen parts to keep them running.
Representation
Each
of the mechanical and natural components has an animal that is incorporated
into the piece in which as presented and created so that they are relevant to
each aspect within the final. A bird, light and free, leaving the tree it has
known for so long spending the remainder of its life to drift and soar on the
wind until it must eventually come to rest at the base of tree from it was
born, made of the dull leaves that become more vivid toward the tips of its
wings and tail, in all shades and hues of red. The fox, cunning and precise,
like clockwork, copper fur and silver jaws that sway all but time itself as it
slinks through the autumn of its life, into winter, drawn in watercolour
pencils to exhibit its brilliant hues of orange and yellowing bones. together
these juxtapose to create my theme of technology and nature while taking
advantage of the season of autumn.
Materials
This
piece uses a somewhat wide range of materials as of which will be listed below.
- parts necessary to make a functioning clock that is the centrepiece of this work, including the hands, face and battery pack. the face of the clock is an antique which is coloured with age, in addition to this another clock face is used to add draw more attention to the central piece.
- wire allow the leaves to be suspended and shaped around the clock to frame the image, in addition to this wire was used to make the base for the bird as wire is light, flexible and sturdy. to connect the wire to the clock I punctured holes through the paper in which the clocks are mounted, specifically where holes are in the clock face.
- leaves are one of the other major components of this piece as it adds juxtaposition to the image between technology and nature, the leaves were used to cover the bird with yellow for the beak, brown for the body and brown-orange for the wings.
- all of this was mounted on a thick paper background in which the fox was drawn using water colour crayons.
Development
During
the process of creation, the final result does not mirror the initial vision as
for example I did initially intend to use drawn cogs and after they had been
completed I was unsure whether or not they aid or hinder the final image, as
for one they took some of the attention from the fox, therefore after some
thought I decided to cover them with leaves and the smaller clock face, this
change overall did greatly improve the piece. Another change was that in fact
the old clock was used covers the clock face that had been painted, the reason
for this change is similar to the cogs that the original was far too bright and
took attention away from the fox, and as a result had to be changed.
Summary
overall
I am pleased with how the end product looks, however there are some aspects
that do not meet my ideal, the main issue is where the antique clock face
covers the initial painting as it still draws some attention away from the fox,
in addition to this it can be questioned whether or not the use of drawings
make the final better or worse, as the bird essentially is the star of the show
getting the most attention from peers and tutors, which begs the question,
whether I should have simply used my time to have made two sculptures rather
than a sculpture and a painting? Despite this however the final result does
surpass my initial ideal through the use of additional materials and constant
improvements.
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